MISSION
STATEMENT: To present to people of all ages American folk music with humor, reverence,
and respect, weaving spiritual, moral truths, and life's experiences into the
songs presented on this album.
"At
our early performances, we began to realize that our music was touching our audiences
in ways that surprised us. We weren't certain whether anyone wanted to hear the
sort of "fusion" music we offered. We have discovered that people of all ages
welcome American Music presented with reverence, humor, and respect."
"We
are humbled by the welcome our music has received and we thank God for His love
and grace."
The Band of
Brothers
Meet the Members:
Michael Scott Smith - Songwriter & vocals * (Plays guitar, mandolin, banjo,
bass, and harmonica).
Michael
Scott Smith was
born in Rochester, NY of Irish/German/Dutch
ancestry.
* A
versatile songwriter who composes ballads in a variety of styles about a variety
of subjects: sometimes inspired by the history of early America; sometimes reflect
aspects of modern life. Many of his
dozens of songs are in The Band Of Brothers concert repertoire.
*
Associate's Degree from Genesee Community College. In
1970's worked as an addictions counselor.
*
Day job:
Since 1989, worked in prisons
as an addictions counselor.
* Musical Influences: Many musical
styles. Growing up, influenced by
folk and rock music of the 1960s.
*
Major influences: The Kinks, Pete Seeger, and Bob Dylan.
*
Began
playing guitar as teenager, singing in groups and solo gigs.
*
1970s -1980's - performed as a solo performer and with The Cotton Hollow Band
throughout upstate NY.
*
1970s and 1980s - was a member of the Golden Link Folk Singing Society, member
of their Sounding Board.
* 1980
- Michael was awarded "Announcer Of The Year" for his volunteer work with radio
station WGMC.
* 1981 - Met and
played with Pete Seeger at Clearwater Hudson River Revival.
* 2004 - Michael shared the stage with singer/songwriter Michael Peter Smith ("The
Dutchman" et al) for a songwriter's concert at the Turtle Hill Folk Festival in
Mendon, NY.
Alan
Fox - Songwriter & vocals * (Plays bass, guitar, and mandolin).
*
Alan Fox - born
in Arcade, NY.
*
Alan
is known for his delightfully manic stage presence.
*
Composes the band's
most quiet and reflective songs: "Whisper," "True Friends", and "The Palm Of Your
Hand".
*
"What
I have in my faith is hard-fought - I accepted the Christian faith when I was
eighteen."
*
Received his first guitar in
his middle-teens. Learned
to play guitar in college, leading prayer services.
*
Choir director,
Mrs. Carpenter influenced Alan's
passion for music.
*
A graduate of
Roberts Wesleyan College.
*
Day job: Serves the Lord as a
Methodist Pastor.
* Music Influenced
by Bruce Cockburn and James Taylor. Bruce Cockburn inspires Alan with his off-beat
approach.
Rev.
Dr. Jamie Stevens - Songwriter & vocals * (Plays 5 string banjo, mandolin,
and guitar)
Rev.
Dr. Jamie Stevens - born in Hume, NY of Irish ancestry.
* The Band of Brother's musical and spiritual
leader.
* Day Job: A Methodist
Minister, (who originally earned a B.S. Degree in Animal Science.
at Cornell before
going to Asbury Theological
Seminary in Wilmore, Kentucky for my Master’s and Doctoral degrees).
*
Composer of "The Mouth Of The Lion" and "Driving Granny Home" and
co-composer of "Car Radio".
*
Musical style Influenced by "American
Folk Music."
*
Musical Influences growing up: Peter, Paul & Mary, Doc
Watson, Flatt & Scruggs, Bill & Gloria Gaithers, and of course, the John and
Charles Wesley hymns.
Henry
Robin - Songwriter & vocals * (Plays 12-string guitar, and classical guitar).
*
Henry Robin - raised along the Hudson River, of
Irish ancestry.
*
As a songwriter,
he is gifted in expressing his core Christian beliefs in such songs as "On
God's Shore," "The Thief", "Which Way Are You Going" and "Through My Eyes"
on this CD, which touches the heart and inspires the
soul.
* Day
Job: Works in a prison as a guard.
*
Pete Seeger
was once a neighbor of Henry's and taught him many songs when Henry was a teenager.
*
Performed
at many coffeehouses in the down-state NY area before moving his family to Western
NY.
*
Henry counts
among his major influences: Pete Seeger, Bob Dylan, and The Beatles.
Bruce
Bailey - (Vocals, and guitar)
*
Bruce Bailey - born in New Bedford, Massachusetts
of Russian ancestry.
*
Moved to New Bedford as a teen.
*
Self-taught guitarist; inspired by Doc Watson and Dan Creary.
*
Musical influences: Jonathan Edwards, Shawn Phillips, and Stephen Stills. He would
listen to their records by the hours, playing along with them.
*
Musical Style: "My approach to music is eclectic and sprit-filled.
* Bruce was the guitarist for the mother/daughter
duo The Two Of Hearts for several years, playing guitar on both of their CD releases
and performing with them throughout New York and Pennsylvania.
Rev.
Dr. Jamie Stevens, Bruce Bailey, Alan Fox, Michael Scott Smith, and Henry Robin.
OVERVIEW OF Railroads,
Hoboes, and Cowboys
The Band
of Brother's RAILROADS, HOBOES AND COWBOYS album is a wonderfully bright and interesting
collection of American acoustic / folk / country ballads, using both contemporary
and traditional musical elements found in American folk music, presented in the
unique "fusion" ensemble style of The Band of Brothers.
Their
music entertains on a variety of levels; musically, culturally, and spiritually.
While enjoying "the fusion sound" of the fine variety of well-played,
acoustic string instruments found in the band's acoustic ensemble, with a harmonica
and flute added in some songs, the listener is treated to 17 songs played in the
American folk genre, paired with lyrical messages, in stories covering themes
which tie into the best in human relationships, the worst in human nature, and
the love and mercy of our Lord Jesus. This collection of songs skillfully blends
lively American folk with humor, with thoughts about our human condition and with
spirituality, which comes all together, creating a most enjoyable CD to brighten
up your day!
Michael Scott Smith
comments to ChristianMusic.com about their interesting blend of traditional style
folk, contemporary ballads, and spirituality. In the 1960's folk and rock music,
Michael Smith comments, "There wasn't such a separation between musical styles
as artists frequently mixed songs of faith with secular songs. This approach has
persisted with our work in The Band of Brothers; We offer our audiences something
of a musical rollercoaster ride of styles and tempos."
For,
this creative collection of songs is a great example as to what can happen when
musical artists, empowered by the Holy Spirit, bring their unique musical gifts
& lyrical ideas, talents, and gifts of songwriting together for a collective
effort! This resulted is an entertaining, touching, and uplifting variety of ballads
ranging from traditional to a new form of contemporary ballad, which are all supported
by an impressive acoustic ensemble of high quality sound, clearly and distinctly
played, with each instrument voice delicately and intricately making its own unique
contribution to the total blended sound.
Wow!
The Band of Brother's really know their instruments and can play with vigor or
at a mellow, laid-back pace, bringing the musical compositions roaringly to life, (
for example: LIVING IN THE COUNTRY, RAILROADS, HOBOES, AND COWBOYS, SHADY GROVE,
CAR RADIO) or be the perfect musical vehicle for more delicate musical support
(CAR RADIO, ON GOD'S SHORE (love the mandolins!), THROUGH MY EYES).
Let's
Talk about the Vocals......
Yes,
it's true! They can not only play their instruments on a professional level, but
all five of them can sing as well! They understand the concept of harmony in backup
choral parts, examples being (SHADY GROVE, ONE BEAUTIFUL DAY, CLAYTON AND HARLOW,)
and can even vary vocal styles to match the mood, emotion and theme of the song,
without blurring diction or singing off key; examples being (THIEF, BIG FIGHT
IN CANAL TOWN, THE HIGHWAYMAN WALTZ, SAM PATCH).
Michael
Scott Smith's expressive vocal performances are always entertaining, whether he
is singing a love song composed for his wife in THE COLOR OF YOUR SMILE, or retelling
the tale of the waltz-loving highwayman through the eyes of a scared coach passenger
in THE HIGHWAYMAN WALTZ.
Henry
Robin's performs his vocals in the song, WHERE ARE YOU GOING? with the same delivery
as a concerned councilor would express with an errant individual, all to good
affect. Another poignant vocal performance by Henry is in THROUGH MY EYES, a moving,
heart-felt ballad about the hope and faith of courageous people and the hope we
have in Jesus. His daughters can also sing and do a beautiful job in the chorus!
Alan Fox's poignant vocals done in a narrative style bring the message of the
song, TRUE FRIENDS to life for the listener, as he describes how Christian fellowship
is an important force in a believer's life.
Rev.
Dr. Jamie Stevens' expressive, enthusiastic spirited vocals in MOUTH OF THE LION
reflect the elation of a person who has left the dark tunnel of despair, found
the Lord and has been renewed in the Spirit.
Bruce
Bailey heartfelt lead vocals performed in ONE BEAUTIFUL DAY touch the soul, lift
the spirit and choke up this reviewer every time.
Themes
found in the Lyrical Messages.....
Every
member contributed to the songs found on this album, bringing their individual
talents and musical abilities to this wonderful musical effort, creating an inspiring,
musically interesting collection of ballads whose themes explore the best and
weaknesses of human nature, blessings which are often in small things often overlooked
by our secular society, and the love and faithfulness of our merciful Lord.
Four
of them have contributed their original songs and one of them found another song,
which was perfect to end the CD! Michael Scott Smith,
Alan Fox, Rev. Dr. Jamie Stevens, and Henry Robbins are the talented songwriters
and Bruce Bailey brought the poignant anthem, ONE BEAUTIFUL DAY, by Robert C.
Amos to the group's attention.
Friendship
- Which strengthens
CLAYTON
AND HARLOW - A song about two friends from the bottom of our society, who inspired
others to be caring and to think of others by showing to all their concern for
each other.
TRUE FRIENDS
- Christian Male Bonding- Relates the Christian fellowship
enjoyed by a group of men, which reflects the Christian brotherhood found among
the members of The Band of Brothers.
Taking
Joy in the simple things in life - Blessings which enrich us that can be easily
missed.
CAR RADIO - A ballad
about how one family found a way to enjoy music together on top of a hill in the
country where their car radio could pick up a blue grass radio station.
LIVING
IN THE COUNTRY - Simple things which can bring joy and togetherness. Though written
about simple blessings found in country living, city folks can relate as well
because we all have simple things we experience in every day life which are blessings
to be enjoyed and appreciated.
RAILROADS,
HOBOES, AND COWBOYS - A song about appreciating people as they are before time
changes their reality. Encourages the listener to
step out in faith in whatever area they are called to contribute to in this world,
as our time in this world is limited.
COLD
MOONLIGHT - A fun Halloween song - Taking the time to enjoy the holiday with family.
THE
HIGHWAYMAN WALTZ - A
delightful 3/4 meter ballad about a notorious robber, Claude Duvall, who took
time out to enjoy a dance with a lady in between robbing coaches around roads
leading to 17th century London. Though Claude Duvall
wound up hanging in the gallows for his thieving ways, even he took time to "smell
the roses," make connections with the ladies.
Problems
caused by human pride - Pride goes before destruction.
SAM
PATCH - A lively American folk song which tells the true story about a daredevil
who made money jumping into waterfalls and water with a bear, so sure of his abilities
was he! Known risks in doing such an act didn't apply to him, so he thought! He
could figure it all out scientifically.
Getting
back on track - Choices
WHERE
ARE YOU GOING?- Ballad which records wise advise given by a believer who is counseling
another man or youth who is off the reservation, living a life style which will
eventually lead to trouble and consequences, if it hasn't already done so!
THE
MOUTH OF THE LION - Ballad which tells the testimony of a man in jail who hit
rock bottom and discovered the Lord in a real way, receiving hope in Jesus.
Embellishing
on the Truth - Reveling in the power of group violence
BIG
FIGHT IN CANAL TOWN - Town gossip / rumor of a bar fight spread around town, which
reflects the desire to report other people's bad behavior, embellishing on the
truth to make it more exciting, enhancing the thrill of violence, excusing it
all as being the fault of the alcohol consumed. Added wishful thinking is that
the people involved basically got away with it and the one fellow killed was not
anyone known in town, so it doesn't cause pain to anyone they know!
Human
Relationships with someone special
SHADY
GROVE - A classic American folk song about the angst of young love.
THE
COLOR OF YOUR SMILE - A love song for someone special, the essence of a person
shines through her smile.
Statements
of Faith
ON GOD'S SHORE
- Modern ballad with a Caribbean style feel which shares
the reflections of Henry Robin about human relationships and how hate and love
influences others.
THE THIEF
- A ballad which reflects on the thief who recognized Jesus on the cross
THROUGH
MY EYES - Despite trials, hardship and suffering in their lives, this song explores
the hope of various people had through history and today, and the ultimate hope
we have in Jesus, our Lord and Savior.
ONE
BEAUTIFUL DAY - A moving anthem which cherishes moments
in this world where love overcomes hatred, and looks forward to the day when Jesus
returns.
RAILROADS,
HOBOES, and COWBOYS album offers varied and interesting compositions which combine
a lot of elements which contribute to this acoustic fusion ensemble romp, including
expressive & entertaining vocals, strong, and memorable melodies, lyrical messages,
and dynamic musical offerings, with something for everyone!
It
is safe to say that there is never a dull moment musically on this CD. The high
quality and professionalism found in the musicianship, the compositions, the lyrical
messages, and the variety of vocals and moods, ranging from humorous to poignant
have come together in songs which are a delight to listen to, yet resulting in
encouraging, inspiring, and blessing the listener. RAILROADS,
HOBOES, and COWBOYS is a must for your Christian music collection, as it is a
blessing for just about anyone who appreciates a collection of music which has
sparkle, variety, and a heart for the Lord which flows through this very special
album.
ABOUT
THE BAND OF BROTHERS & THEIR MUSIC
How
and why The Band of Brothers came together and evolved into a performing group....
Rev.
Dr. Jamie Stevens told ChristianMusic.com, "When I was in college on a retreat,
they asked us, 'Where do you see yourselves in two years?' I hoped to be in a
musical group with other Christian men - and have fun with that. At that time
I didn't know I'd be a minister. So, being in The Band Of Brothers is an answer
to a very long dream."
Alan
Fox shares, "I find Jeremiah 29 - especially verses 11, 12, and 13 - to be
meaningful to me in what we are about as a band. We are not just a band, but a
Christian men's group."
Jeremiah
29: 11, 12, and 13 - For I know
the plans I have for you, plans to prosper you and not to harm you, plans to give
you hope and a future. Then you will call upon me and come and pray to me, and
I will listen to you. You will seek me and find me when you seek with all your
heart.
It is always
interesting to hear how the Lord leads people to come together to play music for
the blessing of others and to share their Christian faith in Jesus Christ. The
love of American acoustic folk and ballad music was the original glue which drew
these musical Christian artists together, which evolved into an entertaining yet
Spirit-filled acoustic ensemble group, performing music to share their love and
faith with others.
Michael Scott
Smith explains the group's early beginnings to ChristianMusic.com, "We began
as a group of guys who like to play music. We discovered our shared Christian
faith and love of performing music that is meaningful within just a few weeks
of our first gathering."
Michael
explains further, "The Band of Brothers formed
in 2002 in Dansville, NY; the adopted home of all five members. Initially we came
together to share songs we knew and enjoyed. However, our gatherings soon turned
into a weekly rehearsal session as we began performing in local venues. In addition
to the singing, also share our joys and concerns of the week and end with a time
for prayer."
Michael continues,
"At our early performances, we began to realize that our music was touching
our audiences in ways that surprised us. We weren't certain whether anyone wanted
to hear the sort of "fusion" music we offered (really not much different from
the music I grew up with - The Byrds, Peter, Paul, & Mary, and many other groups
with folksy roots all included spiritual music of some kind along with social
commentary and humorous songs). We have discovered that people of all ages welcome
American Music presented with reverence, humor and respect."
ChristianMusic.com
interview with The Band of Brothers
The
Band of Brothers graciously answered some interview questions that Chrsitianmusic.com
sent them to reflect upon, concerning their spiritual walk and their music. As
they work together in their music, they discussed the questions as a group, before
they individually answered these interview questions.
Concerning these questions, Michael Smith, told me, "All
of us enjoyed answering them and entering into conversation while we considered
our responses. Our weekly rehearsals are always as much a Christian men’s group
as a musical evening - and it was fun and interesting having the format of the
interview questions."
Did
you grow up in a Christian home and / or have a Christian church family, or did
the you find the Lord later? What influenced your growth as a Christian?
Rev.
Dr. Jamie Stevens shares,
"I grew up in a Christian family. My Dad directed the choir and my Mom played
organ - she still does! My early enjoyment in music was the junior choir and my
parents involvement in music ministry. My mentors were my Mom and Dad, Norb and
Wilma Sylor, and of course, my hero was Roy Rogers, the singing cowboy. My spiritual
influences came from being raised in the church and taking it seriously - I accepted
the Lord at the age of five. I worked at Christian summer camps for six summers
and always had a solid core of Christian friends in school - they were a good
crew."
Michael
Smith comments, " I was raised in a Catholic church-going family, the eldest
of 9 children. I attended Catholic grammar school and high school - attending
seminary as a high school student. My parents and grandparents were my source
of guidance as a child - especially my father's parents. My paternal grandfather
had a calm manner about him that always inspired me. . I always loved singing
in church - the Latin hymns always seemed so beautiful to me. When I joined the
United Methodist Church later in life, I found the Wesleyan hymns to be very meaningful
- and useful in my everyday life. My wife has always been supportive of my music
- I owe her more than I can ever repay.
Alan
Fox shares, "I did not grow up in a Christian home. My father was raised
Mennonite, but did not follow it - he would quote the Bible at times. My mother
wasn't religious at all. What I have in my faith is hard-fought - I accepted the
Christian faith when I was eighteen. My wife's aunt and uncle have been mentors
to me - teaching me the meaning of earning to be generous."
Henry
Robin reflects, " I was raised in a church-going Lutheran family. My pastor
at the time played guitar - that's how I got started - he was a cool guy. Simon
& Garfunkel were all the rage at the time - he would play their songs to keep
us young ones interested - sometimes using their lyrics within sermons. My parents
were my mentors. I was involved in music choirs in college - naturally, a lot
of what you sing in those groups is religious music. We used to go around singing
in nursing homes, etc. It was a great influence on me.
Bruce
Bailey explains, "My father was Jewish and my mother was Christian, but I
found the Lord later in life. The Lord put people in front of me and got me on
the path. My spiritual influences are Bill Wilson - the founder of AA, and the
author Thomas Martin. I began to grow spiritually when I got sober.
Any
life-molding experiences the artist would like to share with us, which were pleasant
or were difficult, but molded the artist's thinking, music, Christian walk, outlook
on life?
Rev.
Dr. Jamie Stevens shares,
"As far as life-molding
experiences, I've gone through some major family health problems and seeing the
Lord's hand - that He hadn't abandoned me, that He was there helping me - that
feeling of His presence has never left me."
Alan
Fox comments, "I
believe I am graced with musical talent. I love music and I find a lot of personal
expression there. When I was 25, I seriously questioned myself whether I was worshipping
God or worshipping playing music - I believed I needed to sort that out in order
to go forward. I had to trust God - allow Him to direct me."
Henry
Robin reflects, "How was I led by the lord to write and sing songs? I don't
know - just dwelling on my blessings and trying to follow His lead. I have many
blessings - my children are the main ones. I've kind of centered my whole life
around that. I probably got more than I deserve. They never cease to amaze me.
Honestly - their actions and behaviors, and interest in religion is much more
than I had when I was a child. They are an inspiration to me."
Henry
Robin continues, "I work
in a prison as a guard - seeing the adversity that some men (inmates) can overcome
and still conduct themselves as human beings - I have seen this and it touches
me. They're tough guys - they have to be in that environment - but if you see
them alone, they can show surprising character. My song "Which Way Are You Going?"
was inspired by working with inmates."
Any
personal testimony you would like to share to encourage others, what the Lord
has done for you?
Michael
Smith declares, "I guess it is to never give up - the Lord has a plan for
all of us. Be patient and trust in the Lord! As I wrote in my song ’The Patient
Man’ - “It’s never to late or too early to walk in the path of God’s love”. I
was in my late 40s when I rediscovered my Christian faith - I am so truly thankful
for God’s guidance."
Alan
Fox reflects, "I have discovered as I have matured, that if my general path
is healthy, whatever musical direction I go to is fine to follow. I believe if
you are in God’s Will, nothing is wrong. I think it's important to follow musical
inclinations because I believe the Holy Spirit is behind most of them - the nature
of music is to convey spirit."
Bruce
Bailey testifies, "I believe I am alive and playing music by the grace
of God."
How
do you as individuals describe your music and how do you compose?
Michael
Smith
describes his music: "My music is based in the folk and rock 'n roll tradition.
Of course, I try for original melodies and I have developed certain themes within
my lyrics - love of family, tradition, and simple country living chief among them.
I love a good moral story and believe song is a great way to accomplish it. For
example, in "Big Fight In Canal Town" I used an old family story about a brawl
at my grandfather's saloon, and attempted to explore the mindlessness of violence
without being "preachy". I also just love to use humor in song.
Michael
explains his creative process, "I normally compose by writing the lyrics
first - then developing a melody in my head - then composing the music on a guitar.
When I write the music first it can be YEARS before I find the proper lyrics!
Sometimes songs come rather quickly, with very little rewriting; other times I
must work on the lyrics for weeks or months to gain the quality I am after. One
song on the CD was a co-composition - “Car Radio” - Jamie told me the story, I
thought it would make a good song, I began singing our lyrics to my guitar accompaniment,
Jamie added a few extra lyrics, and the following day I completed the lyrics.
A week later I had the music completed."
Alan
Fox shares, "When I compose, I have a sense of a tune - like a musical aroma
- a tune that comes across - some clever phrase or twist that gets it going -
and I choose to follow it, see where it goes. As to themes, they are juxtaposed
to my personality - although my personality is zany, I often come up with spiritual
songs. And it helps to have an artistic pool within our band to push us along."
Henry
Robin shares, "I try to write meaningful music. There’s so much fluff and
garbage out there masquerading as freedom of speech - but it’s really hatred -
mass media loves to push it because it sells. Being around Michael and the other
guys in the band has inspired me to write. But it gives me a headache - it’s hard!
I do most of my composing in my head. I come up with an idea, then put some words
in there, build up the lyrics, then put the rest of the song around what I have.
I spend a lot of time thinking about the song - working on it in my head before
I work on it with my guitar. For example, in my song.
Rev.
Dr. Jamie Stevens - My
music is fairly eclectic - I have a lot of things I enjoy listening to - Classical,
bluegrass, jazz - but I guess my music is primarily written in bluegrass and blues
modes. I usually write the lyrics down with a guitar in my hand. Most of my songs
are humorous - I like humor in songs.
Individual
Review of Songs on Railroads, Hoboes,
and Cowboys
* * * * + CLAYTON
AND HARLOW - Words and Music By Michael Scott Smith.
Third
favorite song of this reviewer. The melody and lyrical message are brought to
life by strong lead vocals, vocal harmonies, and a wonderful musical composition
to support it all. The acoustic ensemble is full in sound, yet individual parts
shine through adding color and substance.
Michael's
Comment: I wrote "Clayton And Harlow" on Valentine's Day in 2004 as a present
to my wife. "Clayton and Harlow" is based on the story of a couple of down-but-not-quite-out
men my wife knew when she was beginning her career in human services.
Instrumentation:
Michael Scott Smith: lead vocal, finger-picked guitar; Alan Fox: acoustic bass,
bass harmony vocal; Jamie Stevens: 5-string banjo, harmony vocal; Henry Robin:
12-string guitar, tenor harmony vocal; Bruce Bailey: guitar.
Scriptural
References: (Ephes. 4:2-3, & 32, Ephes. 5:1, Matt. 22:39, Gal. 6:2)
Lyrics:
Clayton and Harlow - were
the best of friends If one had a bottle - the other would get his share. You'd
see 'em on the corner - down the alley way And if you caught them sober - this
is what they'd say:
Chorus: Don't
ask them for a nickel - when you can ask them for a dime. Walk right up to 'em
- Look 'em dead in the eye. That's how you panhandle - that's how you get along./
In this great big world - in this little town.
Clayton
and Harlow - were two of life's gentle souls. They'd carry their troubles - no
matter how heavy their load. Some called them hoboes - some called them tramps
Those of us who knew them well - knew God had other plans.
Chorus
In this great big world - in
this little town. Kings can have diamonds - princes can have their pearls. Some
of those we call beggars - will have the best of it in the next world. It's all
in the disposition - how we carry our soul. As we walk through life's trials -
no matter if we're rich or poor.
Chorus
All
lyrics copyrighted 2005 by Michael Scott Smith, used by permission.
*
* * LIVING IN THE COUNTRY- Words and Music by Michael Scott Smith.
High
flyn', cheery, country ballad, blue grass style; celebrating simple pleasures
of country life. Encourages us all to enjoy the simple things we are blessed with.
Michael's
comment: "Composed in 2004, I wrote this little number in much the same spirit
as 'Living Up On The Hill' and a few others I have written - a cheer for the simple
country life! I love the way Alan Fox sings during the chorus! Guaranteed to make
ya wanna git up 'n dance."
Instrumentation:
Michael Scott Smith: lead vocal, finger-picked guitar; Alan Fox: acoustic bass,
bass harmony; Jamie Stevens: 5-string banjo, harmony vocal; Henry Robin: 12-string
guitar, vocal; Bruce Bailey: guitar solo.
Scriptural
References: (James 1:17, John 3:27)
Lyrics:
Chorus:
Let's go down to the well and draw some water /Eat a sandwich made of apple butter
/Get mud on our boots in the chicken yard / Living in the country ain't so very
hard.
Take your gal and give
her a spin - You can't lose, you can only win. Give her a kiss, ah, give her a
wink - Wash them dishes in the kitchen sink. Let's Go!
Make
up a batch of bumbleberry jam - Moonshine liquor in an old tin can Kick that can
right over the barn - Listen to your neighbor tell another yarn. Let's Go!
Chorus:
Mend a fence, work real hard - Pay attention to your own back yard. / You got
a song you wanna sing? Sing it loud - let it ring. Let's Go!
Chorus
C'mon gal, sit with me - under that old apple tree Adam and Eve did it wrong -
let's do it right all night long! Let's Go!
Chorus
* * * + ON GOD'S SHORE
- Words and Music by Henry Robin.
One
hears a delightful Caribbean influence in both the rhythm and melody. The use
of two mandolins adds sparkle to the musical support which so well expresses the
feeling of the song. The lyrical message is also well presented by lead vocals.
Henry
Comments: "My family was on vacation and my children were asking me questions
about terrorism and I was trying to answer them as best I could. Later, I was
walking along the beach thinking about it, and the line, 'Evil men will use bait
to make people hate' came to me - and I just kept at the song in my head until
it was done."
Henry wrote
this song following a vacation in Florida - he says he needs another vacation
so he can write some more. It's OK with us - he just has to take the rest of the
band with him!
Instrumentation:
Henry Robin: lead vocal, classical guitar; Michael Scott Smith: acoustic bass,
mandolin, harmony vocal; Alan Fox: acoustic bass; Jamie Stevens: mandolin; Bruce
Bailey: guitar.
Scriptural References: (Hebrews
10:30, Ephes. 5:1-2, Matt. 7:7)
Lyrics:
Well,
my family and me - we spent some time by the sea/To relax by the waves and the
sun./And while my children played - my troubles all seemed to fade/With the passing
of the first dolphin run.
As
I bobbed in the waves, I heard sweet music playing, I began to sing as I looked
around/And I'll beg your endurance - It's a happy occurrence/When I think of something
profound.
Well, the folks by
the water with their sons and their daughters,They all look so different from
me. And I considered the sea shells and the story that they tell / Of life diverse
and in harmony.
Treat a stranger
as brother and look out for each other/And soon you will have some friends you
can keep /There ain't nothing here random - It's the way that God planned 'em
/There's a lesson here for those who can see.
Evil men will use bait just to make people hate/But resist temptation, don't take
that leap. 'Cause if you don't use your thinker boy, you'll drop like a sinker/To
the bottom of the cold and the deep.
Now, we might feel unprotected, a bit disconnected/God will gather us together
in time. For it is now, it was then, He'll make us fishers of men/If we seek Him
with our hearts and our minds.
Well,
there isn't much more left of our time at the shore/But I'm sitting as content
as can be./For while some men go golfing, I'll be watching the dolphin/And my
children as they play in the sea.
Yes,
and the sound of the ocean can give you a notion/Of what peace eternal can be.
And I'll take sand by the handful, God has numbered each granule/ I know that
He'll take good care of me.
*
* + COLD MOONLIGHT - Words and Music by Michael Scott Smith.
A fun holiday song! Written in a minor key, begins on an ominous note with ensemble
intro playing a doted note rhythm. Vocals are fun, melody well carried by acoustic
ensemble.
Michael's Comment:
"I've always enjoyed those old British ballads where the stanzas are strewn
with the corpses of star-crossed lovers! Somehow, during the composition of this
song I also began considering the great Universal monster movies I loved as a
child. Henry Robin is responsible for the howling, Jamie Stevens is responsible
for encouraging me to sing this over & over at rehearsals until we got it right,
and my son Sean is responsible for the 'Gingerbread Man'."
Scriptural
References: (Joshua 1:9, Psalm 27:1, & 56:3-4)
Lyrics:
Instrumentation: Michael Scott Smith: lead vocal, guitar;
Alan Fox: acoustic bass; Jamie Stevens: mandolin; Henry Robin: 12-string guitar
& howls.
Oh - Oh - Oh - Baby!
Where you going in that Cold Moonlight? Oh - Oh - Oh - Baby! Don't you leave me
alone tonight!
Your face is pale
and you're dressed in black - And I'm a bit of a scaredy-cat. I never cared much
for vampire bats or full moons! Chorus
Please
excuse me if my face is green - but that's the biggest hickey I've ever seen.
The sight of blood really turns my spleen stone cold!
Chorus
The wolves are howling over the
ridge - and something creepy is crawling under the bridge. My nerves are shot
- so I've got to bid you so long!
Chorus
Hey, I'm running as fast as I
can - eat my dust Mr. Gingerbread Man. I gotta get me a change of plans - 'fore
I die! Chorus
* * * + SHADY GROVE
- Traditional
A well-done rendition
of this folk song chestnut. Love the harmony in the backup vocals, the fusion
sound of the acoustic ensemble, which is fascinating to listen to because one
hears another instrument part not noticed before! Harmonies are top notch and
the lead vocals are well done.
Michael
Comments: "Jamie brought this song to us shortly after we first formed as
a group in 2002. It has become a concert favorite and we are delighted to present
our version of this very old song."
Instrumentation:
Jamie Stevens: lead vocal & guitar; Alan Fox: mandolin & bass harmony; Michael
Scott Smith: 5-string banjo & harmony vocal; Henry Robin: 12-string guitar band
harmony vocal; Bruce Bailey: guitar & tenor harmony.
Scriptural
References: (Song of Songs: 4)
Lyrics:
Chorus:
Shady Grove my little love - Shady Grove I say/ Shady Grove my little love - Bound
to go away.
Lips as red as the
blooming rose - 'n eyes are the prettiest brown/ She's the darling of my heart
- the sweetest girl in town. (Chorus)
Wish
I had a big fine horse - corn to feed him on/And Shady Grove to stay at home -
feed him when I'm gone (Chorus)
Went
to see my Shady Grove - she was standing in the door/ With her shoes and her stockings
in her hands - and her little bare feet on the floor. (Chorus)
When
I was a little boy, I wanted a Barlow knife/Now all I want is Shady Grove to say
she'll be my wife. (Chorus)
Peaches
in the summertime - apples in the fall/ And if I can't have the girl I want -
I'll have no girl at all. (Chorus)
A
kiss from pretty little Shady Grove is sweet as brandy wine. And there ain't no
girl in this whole world, that's prettier than mine. (Chorus)
*
* * * CAR RADIO - Words and Music by Michael Smith & Jamie Stevens.
Another
strong favorite of this reviewer. Great country folk ballad with lively, easy
going melody paired with expressive, well- performed vocals. Enjoyed the country
sound of the acoustic ensemble effort, especially the counter melodies and embellishments
of the mandolins and banjo! Guitar work was equally impressive! The story told
is most enjoyable, brought to life by lead vocals.
Michael:
"This song arose from a story that Jamie told me one evening about his family
doing exactly what the song relates: driving the family car up on a hill to listen
to a faraway radio station in Wheeling, West Virginia. It was such a great story
that I began composing the song on the spot, singing out lyrics and working out
an arrangement on my guitar. Jamie picked up a pencil and wrote out some additional
lyrics - the next day I put our ideas together to complete the song!"
Instrumentation:
Michael Scott Smith: lead vocal, guitar, guitar solo; Alan Fox: acoustic bass,
bass harmony vocal; Jamie Stevens: 5-string banjo, tenor harmony vocal; Henry
Robin: 12-string guitar, harmony vocal; Bruce Bailey: guitar.
Related
Scripture: (Prov. 22:6, John 15:17)
Lyrics:
Daddy
would drive - ev'ry Saturday night - to the top of the hill/ He'd park the car
- light a cigar - 'n turn the radio on/We'd listen to - the sounds comin' through
- from West Virginia / That bluegrass station - so far, far away.//
Chorus: Oh, how our toes got tapping - Steel guitar kept on ringing - Banjo plucking
out that melody!
Late at night
- the conditions were right - if the stars were shining/We'd fall asleep - my
brother and me - in the back of the car/ Mom and Dad - holding hands - sitting
in the front seat. Humming to - those lonesome and blue - hillbilly songs.
Chorus:
Oh, how our toes got tapping - Steel guitar kept on ringing - Banjo plucking out
that melody!
We'd sit out there
- in the country air - 'til the battery died/Mom would pull out the clutch - Dad
would give us a push - We'd coast the downhill side/We'd drive around - get the
battery wound - for the homeward journey. With a sputter and a spark - we'd drive
through the dark - 'til we got down to town.
Chorus:
Oh, how our toes got tapping - Steel guitar kept on ringing - Banjo plucking out
that melody!
Daddy would drive
- ev'ry Saturday night - to the top of the hill/ He'd park the car - light a cigar
- 'n turn the radio on.
* * *
* RAILROADS, HOBOES, AND COWBOYS - Words and Music by Michael Smith.
Another
strong favorite of this reviewer. Title Song: American folk Ballad propelled by
traditional sound of a solid acoustic ensemble, including a slide guitar and a
5 string banjo which add extra traditional flavor as well as an interesting counter
melody to the main vocals. To this well-done folk song. Great dynamics, interesting
key modulations and very nice backup harmony vocals as well Smith's expressive
lead vocal performance.
Note from
Michael: "Henry Robin gave me the idea for this one. Henry asked me to write
a few songs along traditional folk song themes, and since it seemed a reasonable
request - I told him 'sure'. When I sat down to write, I wondered what would happen
if I tossed all the ideas into one song. The result was 'Railroads, Hoboes, And
Cowboys'."
Instrumentation:
Michael Scott Smith: lead vocal, guitar, slide guitar, guitar solo; Alan Fox:
acoustic bass, bass harmony vocal; Jamie Stevens: 5-string banjo, harmony vocal;
Henry Robin: 12-string guitar, vocal; Bruce Bailey: guitar.
Lyrics: (Hebrews 12:1-3, 2nd Cor. 4;1-7)
Sing
that song about the railroads, sing that song about those old boxcars. How they
rumble, how they ramble - across the plains, through this land of ours. Oh, the
brakeman he's so faithful - keeping his eye right on the line.//
Chorus
1: And singing songs about railroads, before they're gone, before they're gone.
And singing songs about railroads, before they're gone - before they're gone.//
Sing that song about the hoboes,
sing a song about those restless men. With their whiskey and their tattered clothes
- they'll do a job for a day or so. See them gather 'round the campfire, doin'
a jig for Old Man Moon//
Chorus
2: And singing songs about hoboes, before they're gone, before they're gone. Now,
sing that song about the cowboys, sing a song about those western men.//
Get
along you little doggies - tall in the saddle in the dusty wind/They keep a cheerful
disposition, riding underneath the stars./
Chorus 3: And singing songs about cowboys, before they're gone, before they're
gone.
We all have our myths and
legends, we all have our precious childhood dreams. And the promise of a new day
- keeps us hoping for a better way. Like the brakemen and the hoboes - like those
cowboys way out west.
Chorus
4: We sing our songs about living - 'fore we're gone, before we're gone.
*
* * * WHERE ARE YOU GOING? - Henry Robin
A
strong favorite of this reviewer. Modern ballad which is an interesting mix of
American, Folk, and Blues with well-played support by ensemble of 3 guitars and
mandolin, which plays a very nice counter melody. Dotted note rhythm gives it
a swing, bluesy feel, a perfect musical vehicle for the strong vocals.
Henry
Robin Comments: "I work in a prison as a guard - seeing the adversity that
some men (inmates) can overcome and still conduct themselves as human beings -
I have seen this and it touches me. They're tough guys - they have to be in that
environment - but if you see them alone, they can show surprising character. My
song 'Which Way Are You Going?' was inspired by working with inmates."
Note
from Michael: Henry wrote this after avoiding a car accident - and reflecting
on conversations he has had with folks who have (at least temporarily) lost their
way.
Instrumentation: Henry Robin:
lead vocal, classical guitar; Bruce Bailey: guitar solo; Alan Fox: acoustic bass;
Jamie Stevens: mandolin; Michael Scott Smith: guitar.
Scriptural
References: (Hos. 8:7, Gal. 6:7-8, John 3:16)
Lyrics:
Don't
waste your time - give it some thought, boy where are you going? 'Cause where
you are now is just resulting from the life you been knowing But where you are
tomorrow all depends on the direction you're going.
Yeah,
and it doesn't really matter where you are in your life Your wealth or your social
standing You might be flying high enjoying the ride, but watch out boy for that
landing 'Cause the wind of fate is fickle and you never know which way she might
be blowing.
So, be careful, and
give it some thought, boy - where are you going? Yeah, and you never know what's
comin' 'til you're 'round the next bend It might be triumph or disaster The only
thing that matters, son, is where your life ends and that depends on who you choose
as your master.
Y'see the clock
is tickin' and the reaper's got a hand that he ain't showin' So.
Don't
waste your time and give it some thought, boy - where are you going? Yeah, and
it doesn't really matter where you are in your life Your wealth or your social
standing You might be flying high enjoying the ride, but watch out boy for that
landing.
'Cause the wind of fate
is fickle and you never know which way she might be blowing / So,
be careful, and give it some thought, boy - where are you going? / Yeah, and where
you are today is just a product of the seeds you've been sowing And where you
are tomorrow all depends on the direction you're going / So, don't waste your
time and give it some thought, boy - where are you going?
All
lyrics copyrighted 2005 by Henry Robin, used by permission.
*
* * + TRUE FRIENDS - Alan Fox
Well
done modern American ballad with another strong melody & solid acoustic guitar-mandolin
ensemble with interesting inner voices which magically come together to provide
strong melody support and nice little counter melody variations, intertwined.
There is a lot to listen to in this musical composition. Lyrical message so well
portrayed by the lead vocals really expresses the importance of Christian fellowship.
Note
from Michael: "Another introspective song from our extroverted Alan Fox.
Alan wrote this as a tribute to the many conversations he had within a Christian
men's group. We love this song and so do our audiences."
Instrumentation:
Alan Fox: lead vocal, guitar; Michael Scott Smith: acoustic bass; Jamie Stevens:
mandolin; Henry Robin: 12-string guitar & harmony vocal; Bruce Bailey: guitar
solo.
Scriptural References: (1
John 1:7, 1 Cor.1:9)
Lyrics:
Some
Wednesday mornings - when time falls into place/We sit at breakfast - and jest
about our fates / Our waitress Helen - she knows our routine/Coffee is waiting
for us - when we take our seats / Sometimes we laugh so loud - heads turn our
way/And sometimes in softer tones - we bow our heads and pray.
And I have such true, true friends - like few men I have known/I walk this life
with them and know I'm not alone I'm sure that better men have come through their
lives/And I hope that where I can - I will be a true, true friend Like you have
been - in my life.
Sometimes,
when I have strayed - or I'm just down/Some thought or word you say - brings me
around And I hear the words you say - you've walked a mile in my shoes/I know
you understand - the things I stand to lose.
Some
old jokes and anecdotes and some stories of our lives/ Down that last cup of joe
- oh my, how this time flies A moment's margin in the timing of our days/Another
week or two - let's meet here together once again In this place - In this place.
*
* * + THE COLOR OF YOUR SMILE - Michael Scott Smith
Romantic
song which expresses love of a wife. Soft shoe style of rhythm, made up of dotted
notes and syncopated rhythms, gives it a nice flow perfect for the bright melody
and laid back vocals of a man in love! Guitars and mandolins provide lovely accompaniment,
giving a sweet, breezy delicate sound to this touching love ballad.
Note from Michael: "A song for my wife. I wrote the music some time in the
1980's, and completed the lyrics in 2004."
Instrumentation:
Michael Scott Smith: lead vocal, finger-picked guitar, mandolin solo; Alan Fox:
guitar solo; Jamie Stevens: mandolin.
Scriptural
References: (Song of Songs 6:4)
Lyrics:
The color of your smile - in the candlelight/ You always
take my breath away, hey - all I can do is smile The way you hold my hand - as
we walk down the path/The roses all bloom as you stroll by - all I can do is sigh.
Oh, baby - all of my life - I
have been a fool/On the day you became my wife - that's when I started school.
Now summer's come and gone -
the leaves are fallen down/C'mon baby, sit by the fire - let's get some snuggling
done.
Oh, baby - all of my life
- I have been a fool/ On the day you became my wife - that's when I started school.
The color of your smile - in the candlelight/ You always take my breath away,
hey - all I can do is smile.
*
* * * THE THIEF - Henry Robin
Another
strong favorite of this reviewer. A moving song which could possibly be used as
an altar call song. It was written in a minor key, which is also perfect for the
Lenten season in any contemporary service. Written in a minor key, gospel ballad,
composed in a traditional folk style. Strong ensemble
of guitars and the delicate mandolin, provide strong support for the melody and
heart-felt vocals.
Henry Robin
comments: “'The Thief' is just a song about my core belief as a Christian - I
think it’s self-explanatory, but it‘s based on Luke 23, verses 39-43."
Instrumentation:
Henry Robin: lead vocal, classical guitar; Jamie Stevens: mandolin; Bruce Bailey:
guitar.
Scriptural References:(Luke
23: 39-43, Hebrews 6:19-20, Romans 7:15-25}
Lyrics:
Whenever
people ask me about my core beliefs/I tell them the story of Jesus and the thief
//When I hear that story, it's plain for me to see/The thief that died upon the
cross could easily be me. Yeah, the thief that died with Jesus, could easily be
me.//
His life was probably meager,
not much he could afford/The only thing that saved him, was he recognized the
Lord. And the question you must answer, when all your time is through/Will you
know Jesus when you see Him? And will he remember you?
Oh, we'll never know the reason he was nailed onto that tree/But he looked into
Jesus' eyes and said, "Lord, remember me"/His life was less than perfect, that's
all that he could say/But Jesus looked at him and said, "You'll be with me today"/
"When I come into my kingdom, you will be with Me today".
So,
as we lead our troubled lives, one hope we can embrace/The Son of God can deliver,
the entire human race So when Satan tells you all is lost, return his scorn with
laughter/'Cause the thief that died upon the cross, lives happily ever after.
* * * * BIG FIGHT IN CANAL TOWN
- Michael Scott Smith
Well-done
American folk ballad which features a pairing of strong and steady acoustic ensemble
with expressive vocals performed in a traditional style which brings the lyrics
to life. Written in a minor key adds to the traumatic, embellished story. This
song as a traditional ballad has everything: Great harmonies, strong and steady
accompaniment, clever lyrics and expressive story-telling vocals.
Note from Michael: "The idea for 'Big Fight In Canal Town' came from a newspaper
article by Edwin N. Harris about a brawl at my grandfather's hotel (The Stephany
Hotel in Pittsford, NY) in 1940. I had thought for years that the story would
make a good song and I finally came up with an angle that I thought would work
- by imagining how the brawl would be embellished by those who passed the story
around town the next day."
Instrumentation:
Michael Scott Smith: lead vocal, finger-picked guitar; Alan Fox: acoustic bass,
bass harmony vocal; Jamie Stevens: 5-string banjo, harmony vocal; Henry Robin:
12-string guitar, harmony vocal; Bruce Bailey: guitar.
Scriptural
References: (James 3:3-6, Gal. 5:19-26, Phil. 4:8)
Lyrics:
Hey
there neighbor, did you hear the news? There was a big fight last night, a terrible
to-do. It happened at the hotel, down by the canal. There must have been a hundred,
all pitchin' Hell. When the brawl was over, when the fightin' was through, there
was a dead man floating in the water - nobody knew.
I
heard it all started, because of a girl. Two canalers got to sparring, caught
in the whirl. One said the other was in the wrong. The other said, "You're mistaken,
you're the lying one.". When the brawl was over, when the fightin' was through,
there was a dead man floating in the water - nobody knew.
Well, Al the bartender told Jimmy Valentine, "You'd better take cover, they're
laying it on the line." Y'know these canalers, when they get full of drink. There'll
be no stopping 'em, 'til one of them sinks. When the brawl was over, when the
fightin' was through, there was a dead man floating in the water - nobody knew.
Punches started flying, fists
hitting flesh. The girl got knocked down with a rip in her dress. Like a match
touching gasoline, the combustion rolled. The room began burning with men out
of control. When the brawl was over, when the fightin' was through, there was
a dead man floating in the water - nobody knew.
A
call for the police went out on the line - as the battle moved out to Main St.
under the moonlight. A couple of cops on patrol pulled up, but it didn't take
a fool to tell - that two men against a hundred would be like ringing their own
death bell. When the brawl was over, when the fightin' was through, there was
a dead man floating in the water - nobody knew.
One
of the cops said to the bartender, "It sure is a Hell of a fight. Those canalers
will trade fists for hours, if the mood suits them right." "I guess it's the price
we gotta pay for progress to hit this town. Let's hope that in the meantime they
don't burn it to the ground." When the brawl was over, when the fightin' was through,
there was a dead man floating in the water - nobody knew.
Eventually
it quieted down to the sound of a dull roar. Most of 'em went to sleep it off
- most of 'em pretty sore. The cops arrested one or two - just to make it right.
Al the bartender locked up and turned off the lights. The brawl was now over,
the fightin' was through, but that dead man in the water - nobody knew.
*
* * * THE MOUTH OF THE LORD - Jamie Stevens
Spirited
American ballad in which Gospel testimony and a touch of humor come together to
create an energetic ballad about redemption and healing by turning back to the
Lord. The composition and vocals reflect the joy and exuberance of a person who
has truly found hope, joy, and friendship in the Lord. Besides the expressive vocals
performed by Rev. Jamie, a peppy sparkling movin' acoustic ensemble in the spirit
of a '60's hootenanny song, loved the terrific enthusiastic choral support complete
with harmonies; which all creates a song sure to knock anyone out of depression
or dour mood!
Note from Jamie:
"How did the Lord lead me to write 'The Mouth Of The Lion'? Well, I based
it on the 22nd Psalm - I think the key was appreciating the scripture and seeing
the potential to turn it into music. The guys had the idea for the doo-wop background.
'Everybody sing! Rescue Me! Rescue Me!' It's great to see audiences
singing along with this song."
Instrumentation:
Jamie Stevens: lead vocal, guitar; Michael Scott Smith: mandolin, harmony vocal;
Alan Fox: acoustic bass, bass harmony; Henry Robin: 12-string guitar, harmony
vocal; Bruce Bailey: guitar, harmony vocal.
Scriptural
References: (Psalm 22, Ephes. 3:18, Romans 8:35-38)
Lyrics:
Well,
I'm buried in a pit, yes a deep morass - If my life was a drink there wouldn't
be a glass /People who were friends no longer seem to be - And my own pack of hounds
has turned on me / I'm lying in the dirt with dust in my mouth - and I feel like
the North end of something headed South.
I'm emaciated - that means I'm really thin - And I can't seem to find a reason
to grin.
Chorus: Rescue me! (Rescue
me, rescue me!) from the mouth of the lion (rescue me from the mouth of the lion!)
/ Save me from the horns of the wild ox (don't leave me in the bait box!) / 'Cause
I feel like a worm and not a man - But I'm waiting for my help from the great
"I Am" / Rescue me, Lord - please rescue me.
They
all laughed at me and said, "Why don't you turn to your Lord?" And that got me
to thinking and my spirit soared. /From before my birth I've been cast on him
- And that's where I go when things get grim./I love my Mom, and I love my Dad
- but the Lord's the best friend that I ever had./
In
spite of all my personal tragedy - from before my birth he's been with me.
Chorus
In anticipation of my prison release - I'm going to sing your praises to the West
and East / I'm going to shout your praises up North and South - That ought to
knock that dust right out of my mouth./When you see the poor eat until they're
satisfied - Anyone who wants can jump that train and ride.
The
Lord said he'd do it, it's as good as done - Guaranteed by the Father, Spirit,
and The Son.
Chorus
*
* * * + THROUGH MY EYES - Henry Robin
2nd
favorite song of this reviewer. Song is a moving, beautiful ballad / anthem which
so well expresses the trials and troubles of human beings in the verses, which
are composed in a minor key. The hope they hang onto is expressed in the chorus,
which is written in a major key. Last verse expresses the feelings Jesus had on
the evening he spent in the garden talking with his Father. The chorus expresses
the reassurance and hope we all have in Jesus as Lord and Savior.
The
musical support is beautifully expressed through the dynamic duo of the guitar
and mandolin. The chorus not only has the harmonious contributions of the Band
of Brothers, but also the angelic vocal harmonies of Henry Robin's four daughters,
who range in age from high school to college.
Note from Michael: "Henry Robin does it again - when he first brought this
song to us we listened in stunned silence. His daughters sing beautifully on the
recording."
Instrumentation:
Henry Robin: lead vocal, classical guitar; Jamie Stevens: mandolin; Michael Scott
Smith: harmony vocal; Alan Fox: harmony vocal; Bruce Bailey: harmony vocal. Female
Chorus: Sarah Robin, Trinity Robin, Heather Robin, and Penny Robin.
Scriptural
References: (Heb. 7:27, 2nd Cor. 4:8-10, Romans 5:1-5, Heb. 6:19-20)
Lyrics:
Two world wars have ended, our nation
recoups - From depression, we've all felt the sting /Still, poor huddled masses
in boats are en route - when they reach Ellis Island they sing:
Chorus: Through my eyes, through my eyes, I see a chance to breath free / Through
my eyes, I can see, a home for my children to be.
A
long suffering people fight prejudice and fear - Their young pastor hears freedom
ring / He remembers the past, still he dreams "free at last" - While alone in
his jail cell he sings:
Chorus:
Through my eyes, through my eyes, I see white men and black men agree / Through
my eyes, I can see, the great nation these people could be.
In
a land far away, a war rages today - A young girl feels the pain that it brings
/ While the death-mongers drool, she still walks to school - Every day on her
way home she sings:
Chorus: Through
my eyes, through my eyes, I se my people live free / Through my eyes, I can see,
the great country my homeland should be.
One night, Jesus prayed to His Father in fear, asked God, "Let this cup pass from
me"/His Father said, "Son, it's only begun. But soon you will see what I see."
/
Chorus 2: Through My eyes, through My eyes, I see the hope You will bring / Through
My eyes, I can see, the grateful forgiven take wing / And We'll hear the songs
that they sing.
* * * * SAM PATCH - Michael Scott Smith
Another
strong favorite of this reviewer! A lively American folk ballad which cooks right
along with energy, vitality, and spunk, carried along with a stirring acoustic
ensemble which has a lot to offer to strongly support the main melody and stellar
vocals. Reminds me of the great songs done by The Limelighters and Kingston Trio.
Love the verses composed in a minor key, to represent the sad tale of Sam Patch.
The chorus is written in a major key which is a great contrast, to illustrate
his brave (if foolish) effort and the survival of the bear, at least.
Note
from Michael: "I wrote this song in 1983 after seeing a mural of Sam Patch
making his final leap in a restaurant near the High Falls in Rochester, NY. Many
years later, I brought the song to The Band of Brothers - and it just didn't click
with them. I rearranged the song in a minor key, and that didn't work either.
Alan Fox suggested we use both arrangements - one for the verses and the other
for the chorus. Genius!!"
Historical
note: Sam was one of the few daredevils to jump over Niagara Falls without a barrel
and survive. He then set his sights on the High Falls of the Genesee River in
Rochester. On November 13, 1829 (yep, it was a Friday the 13th) Sam took his jump
- and perished in the attempt.
Instrumentation:
Michael Scott Smith: lead vocal, finger-picked guitar; Alan Fox: mandolin, bass
harmony vocal; Jamie Stevens: 5-string banjo, harmony vocal; Henry Robin: 12-string
guitar, harmony vocal; Bruce Bailey: guitar.
Related
Scripture: (Proverbs 16:18)
Lyrics:
Chorus:
Sam Patch, Sam Patch - jumped over the Falls with a bear and a hat / The hat went
under and so did Sam, but the bear went swimming away, hey! The bear went swimming
away.//
So gather 'round children,
gather 'round folks - I've got a tale to tell and it ain't no joke / The moral
of the tale will be plain to see: don't jump over the Falls of the Genesee / The
Mighty Genesee.
Chorus
Old
Sam Patch was regular clown, who thought he was the best jumpin' man around /
He didn't jump up - he only jumped down. And that's why we're singing this song
- oh! / That's why we're singing this song.
Chorus
I don't know where Sam
got the bear, but he made his living from jumpin' in the air / With not much of
nothin' underneath, but a pool of water to put his feet / His dirty little feet.
Chorus
Now,
when Sam Patch leapt over the brink, that fateful Friday the 13th / The crowd
went hush - held its breath - the bear went swimmin' away, hey! / Down Ontario
way.
Chorus
Sam
always claimed that "some things can, be done as well as others can"/ He calculated
jumps scientifically - but not in the case of the Genesee / The Mighty Genesee!
Chorus
*
* * *.+ THE HIGHWAYMAN WALTZ - Michael Scott Smith
Fourth
favorite song of this reviewer. A folk ballad with a delightful 3/4 meter, quick-paced
flowing, memorable melody with great musical support from this professional sounding
acoustic ensemble! The sound is light and spirited, with a nice dynamic build.
Flute is a nice addition to the composition. Back up vocals provide supportive
harmonies which enrich both the verses and the chorus. Begin softly in the verses
and build in sound.
The stellar
delivery of the expressive lead vocals bring this tale to life, which sit lightly
on top of the musical accompaniment. Favorite vocal delivery of this reviewer
on this album.
Note from Michael:
"This is the newest song on the CD - I wrote it in September of 2005, after
we began recording the CD in August. I was leafing through the book 'Man And His
Symbols' by Carl Jung and saw an illustration of the 17th century bandit Claude
Duvall. Anyway, the picture caught my fancy and I began writing the song at my
desk. Later that day I began researching Duvall's story, the roads that surrounded
London at the time, whether the waltz existed during that time period, etc., etc.
and then polished up the lyrics. For the recording we recruited Ashley Knights
to play the flute and my son Sean wrote the score for the flute. Sean also added
his vocals to the chorus. They both did a great job!"
Instrumentation: Michael Scott Smith: lead vocal, guitar; Alan Fox, acoustic bass,
bass harmony; Jamie Stevens: mandolin, harmony vocal; Henry Robin: 12-string guitar;
Bruce Bailey, guitar; Ashley Knights: flute (flute arranged by Sean Smith).
Related
Scripture: (Gal. 6:7-8, Prov. 16:18, Matt. 6:21)Lyrics:
One bright early morning - without any
warning / Our coachman pulled the reins in - brought his horses to halt / We'd
been riding a good road - from Holloway to London/ When the bandit Claude Duvall
brought his guns out / We peered out the window - our hearts in a shiver / Wondering
what fate would be cast on this dawn.
From
high on his horse, he said "Stand and deliver, What goods ye have brought on your
journey this morn."/ Then a lady - determined - to appear unafraid / Began to
play on a flute to all she surveyed / Duvall raised an eyebrow and flashed her
a smile / And said,
Chorus: "Lady,
allow me to dance with you a while / Oh, dance with me Lady, here on the heath
/ I'll forget I'm a bandit, forget I'm a thief / Please lift up your skirts -
away from the dirt / We'll go dancing - This morning - I'll do no robbing / We'll
go dancing the Highwayman Waltz".
When
the dancing was finished - Duvall made a bow / He said, "My lady, you've charmed
me - and to you I'll vow / I'll take none of your jewelry - none of your gold
/ But your husband now owes me - for tunes played on the road."
"Now
what say you Mister, ere' the bargain I've struck / I've danced with your Lady
- now you're down on your luck / For four hundred pounds I'll see you go free
/ And if you hasten you can hurry the sheriff on me.
Chorus
Now many a man - was lost of his wealth / In the days 'fore and after Duvall danced
on the heath /And many a Lady - was lost of her breath / When the captured Claude
Duvall was sentenced to death / Claude faced the crowd bravely at the end of his
rope / With a smile in his eye and a lump in his throat /His life, tho' a brief
one, was filled with delight / And he knew many a lady would dream of him tonight
Chorus
*
* * * + ONE BEAUTIFUL DAY- (Robert C. Amos)
Favorite
song of this reviewer. Powerful anthem of love to end this inspiring CD. Written
in 3/4 meter, driving melody and heart-felt vocals flow and wash over the listener
as the poignant lyrics encourage the soul and spirit. Dynamic composition combines
an inspiring acoustic ensemble, with some great inner voice parts and guitar solo,
poignant vocals and harmonious backup vocal chorus all work together to create
a truly glorious effort offering a lot musically and spiritually to the listener.
Song would be welcome in any worship service.
Note
from Michael: "Bruce Bailey brought this song (composed by Robert C. Amos)
to us. Bruce heard the song on satellite radio and taught it to us. We loved it
from the first, and it has become very popular with our audiences. When we contacted
the author about gaining permission to record his song, we were delighted to discover
that his ancestors came from Dansville, NY - our home town!"
"We
hope everyone who hears 'One Beautiful Day' is inspired by its message of love."
Instrumentation: Bruce Bailey:
lead vocal, guitar; Michael Scott Smith: guitar, guitar solo, harmony vocal; Alan
Fox: guitar, bass harmony; Jamie Stevens: mandolin, harmony vocal; Henry Robin:
12-string guitar, harmony vocal.
Scriptural
References: (Rev. 21:1-7, Romans 12:2, Gal. 5:22 & 6:10, Cor.13)
If we believe that we should make a new beginning / If we are sure that we can
walk the path of love / If we decided to try and make this life worth living /Then
we must look within as well as up above.
Chorus: And one beautiful day, we will awaken / To find that we all have shared
the same dream / Then we shall rise in celebration / Eager to seek what we have
seen. /
When we have broken all
the heavy chains that bind us /When we can leave behind the hatred and the strife
/ When we rejoice in all the differences among us / Then we shall truly know the
beauty of this life.
Chorus: And
one beautiful day, we will awaken / To find that we all have shared the same dream
/ Then we shall rise in celebration / Eager to seek what we have seen.
Visit
their website: www.thebandofbrothers.net
Reviewed
by Julie Carr for ChristianMusic.com
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